with Steve Fruitman
#160
February 6, 2017
click pic to go to Campstreams page
More and More Amor
Hour One: Hear this show now
Hour Two: Hear this show now
Hour One1. Stevie Ray Vaughan: Dirty Fool (D Bramhall / SR Vaughan) 1983
2. Mott The Hoople: Darkness Darkness (Jesse Colin Young) 1971
3. King Crimson: Easy Money (Robert Fripp / John Wetton / Palmer-James) 1973
4. Ronnie Montrose: Outer Marker Inbound (Ronnie Montrose) 1988
5. Scott Merritt: Wild Kingdom (Scott Merritt) 1989 *
6. Blue Rodeo: Rebel (Jim Cuddy / Greg Keelor) 1987 *
7. Spooky Tooth: Tobacco Road (JD Loudermilk) 1968
8. Can: Hoolah Hoola (Can) 1989
9. BTO: Takes A Lot Of People (BTO) 1978 *
10. Bobby Edwards & Art Devilliers: Beefeater’s Samba (B Edwards) 1974 *CanCon = 40%
Hour Two
1. Herb Alpert & Tijuana Brass: More And More Amor (Sol Lake) 1965
2. The Peels: Juanita Banana (T Howard / M Kenton) 1966
3. Walter Ostanek Band: Mexican Hat Dance Polka (PD) 1975 *
4. Willie Nelson: Blue Skies (Irving Berlin) 1978
5. Jim Kweskin: Tumbling Tumbleweeds (Bob Nolan) 1979
6. Robert Pinard: Reel de Trudeau (R Pinard) 1976 *
7. The Canadian Aces: Crazy People (Canadian Aces) 1982 *
8. Jim Mcharg’s Dixielanders: Ain’t gonna Give You None Of My Jelly Role (Clarence & Spencer Williams) 1967 *
9. Salome Bey: You’re Gonna Fall (Russ Little) 1980 *
10. Oscar Peterson Trio: Cakewalk (Oscar Peterson) 1982 *
11. Donnie & The Dreamers: Teenage Love (Goldman / Catalano) 1961
12. Bill Deal & The Rhondels: May I (M Williams) 1969
13. Deep Purple: Speed King (Blackmore / Gillan / Glover / Lord / Paice) 1970
14. Julius La Rosa: Midnight In Moscow (Brand, Nassau, Soloviev, Sedoi, Matusovosky) 1962CanCon = 42%
Total CanCon = 42%
And Now for The Particulars: Hour One
1. Stevie Ray Vaughan & Double Trouble: Dirty Fool (D Bramhall / SR Vaughan)
Texas Flood: Epic Records – FE 38734
Dallas TX
Stevie Ray Vaughan: guitar, vocals
Tommy Shannon: bass
Chris Layton: drums
Produced by Stevie Ray Vaughan, Richard Mullen & Double Trouble 1983
Recorded at Down Town Studio, Los Angeles
Recorded by Richard Mullen and James Geddes
Mixed by Lincoln Clapp
Mastered by Ken Robertson at CBS Studios, NYCStephen Ray Vaughan b. October 3, 1954 Dallas, TX – d. August 27, 1990 (aged 35) East Troy, WI hilcopter crash after a concert with Eric Clapton.
Thomas Lafitte Smedleyaka Tommy Shannon: b. April 18, 1946 Tuscon AR.
Original bass player for Johnny Winter till 1970 then formed Krakerjack with Winter’s drummer, John Turner. Joined Double Trouble with Chris Layton on drums back SRV.2. Mott The Hoople: Darkness Darkness (Jesse Colin Young)
Brain Capers: Island Records – 85 808 IT (Italian Pressing)
Herefordshire UK
Verden Allen – Keyboards, Vocals
Dale "Buffin" Griffin – Drums, Vocals
Ian Hunter – Guitar, Keyboards, Vocals
Mick Ralphs – Guitar, Vocals
Pete Watts – Bass, Vocals
Produced by Guy Stevens 1971
Recorded by Andy Johns
Mastering by Zal SchreiberMOT Years active 1969–1980
Pete Overend Watts: b. 13 May 1947 Yardley, Birmingham UK – d. 22 January 2017 (aged 69)
Watts began playing the guitar at the age of 13[4] and by 1965, he had switched to bass
Played in bands the Buddies, Doc Thomas Group, and then Shakedown Sound, before finally changing their name to Silence and settling in London in 1969. The group then added singer Ian Hunter, became Mott the Hoople.
3. King Crimson: Easy Money (Robert Fripp / John Wetton / Palmer-James)
Larks’ Tongues In Aspic: Atlantic Recording Corporation – SD 7263
London UK
Davids Cross: violin, viola, mellotron
Robert Fripp: guitar, mellotron, devices
John Wetton: bass, vocals
Bill Bruford: drums
Jamie Muir: percussion, allsorts
Produced by King Crimson 1973
Recorded by Nick Ryan at Command Studios, London Jan & Feb 1973John Kenneth Wetton
b. 12 June 1949 Willington, Derbyshire – d. 31 January 2017 (aged 67) Bournemouth, DorsetHe rose to fame with bands Mogul Thrash, Family, King Crimson, Roxy Music/Bryan Ferry, Uriah Heep, and Wishbone Ash. After his period with King Crimson, Wetton formed U.K., and later he was the frontman and principal songwriter of the supergroup Asia. Wetton's first big break came when he joined Wimborne, Dorset, musician Robert Fripp in his new line-up of King Crimson in 1972, allowing Wetton to come to the fore as a lead singer and composer. Palmer-James also worked with the band as a lyricist. Wetton remained with the band until Fripp unexpectedly disbanded it in 1974.
4. Ronnie Montrose: Outer Marker Inbound (Ronnie Montrose)
The Speed Of Sound: Enigma Records D1-73323
San Francisco CA
Ronnie Montrose: guitars
Glenn Letsh: bass
Johnny Bee Badanjek: drums
Pat Feehan: synth
Produced by Ronnie Montrose 1988
Recorded by Ronnie Montrose & Roger Wiersema at Music Annex, Menlo Park, CARonald Douglas "Ronnie" Montrose (29 November 1947 3 March 2012)
Montrose played briefly with Boz Scaggs and then joined the Edgar Winter Group in 1972, then formed his own band, Montrose, in 1973, featuring Sammy Hagar on vocals5. Scott Merritt: Wild Kingdom (Scott Merritt)
Violet and Black: Duke St. Records DSR 31057
Brantford ON
Scott Merritt: Guitars, banjos, sitar, vocals
Bob DiSalle: drums
David Woodhead: bass
Doug Wilde: keys
Matt Zimbel: percussion
Willie P Bennett: harmonica
Robert Arthur Williams: percussion
Arthur Barrow: keys, bass, percussion
Greg Roberts: keys
Doug Baynham: bg vocals
Rob Gusevs: hammond, Heys
Brian Leonard: percussion
Mike Sloski: percussion
Produced by Arthur Barrow - 1989
Recorded at Manta Sound Toronto by Ron Searles with Brad Haebnel and Trax
Recording, Hollywood & Santa
Monica CA by Eric Westfail
Mastered at Precision Lacquer by Stephen MarcussenWas nominated for a Juno for Most Promising Male Vocalist in 1986 but his pop and folk career never really took off. Knowing award winning producer, Daniel Lanois, Merritt started picking up tips on sonic sounds and tone. He went on to produce numours albums that were artistic successes whether or not they sold well. Some artists were : Stephen Fearing, Grievous Angels, Ian Tamblyn, Lynn Miles, Suzie Vinnick and Fred Eaglesmith.
6. Blue Rodeo: Rebel (Jim Cuddy / Greg Keelor)
Outskirts: WEA / Risque Disque 25 471891
Toronto ON
Cleave Anderson: drums
Jim Cuddy: guitar, vocals
Bazil Donovan: bass
Greg Keelor: guitar, vocal
Bobby Wiseman: keys
Produced by Terry Brown 1987
Recorded by Mike Jones and Paul Shubat at McClear Place Studios, Toronto
Mastered by Rob Ludwig at Masterdisk, NYCTaken from their first LP when they were still the original band. This is what they became before releasing their premier record. With the great songwriting teem of Ceelor and Cuddy, the fabulous rhythm section with Cleave and Bazil and then the wizardry of keyboard originality, Bobby Wiseman, they were an amazing band.
7. Spooky Tooth: Tobacco Road (JD Loudermilk)
Tobacco Road: Polydor Records – 2334 021
Carlisle UK
Mike Harrison – vocals, keyboards, harpsichord
Gary Wright – vocals, keyboards, organ
Luther Grosvenor – guitar
Greg Ridley – bass guitar
Mike Kellie – drums and percussion
Produced by Jimmy Miller 1968
Recorded by Glyn Johns at Olympic Studios, LondonOriginally recorded as It’s All About
Michael Alexander Kellie: b. 24 March 1947 Birmingham UK – d. 18 January 2017 (aged 69)
In a career that spanned more than 50 years, Kellie was a member of the rock bands the V.I.P.s, Spooky Tooth and the Only Ones. He was also a prolific session musician and worked with the likes of the Who on the film soundtrack of Tommy, Joe Cocker, Traffic, George Harrison, Jerry Lee Lewis, Peter Frampton, the Bee Gees's Maurice Gibb, Gary Wright, Johnny Thunders, Luther Grosvenor, Neil Innes, Steve Gibbons, Chris Jagger, Nanette Workman, Sean Tyla, Jim Capaldi, Pat Travers and Andy Fraser.
In 1966, Kellie played in Birmingham in a band called the Locomotive with Chris Wood of Traffic, and later with the V.I.P.'s (later Art) in Carlisle. Manager Chris Blackwell found a singer and organist from the New York Times band named Gary Wright, added him to the line-up of Art and launched the band Spooky Tooth
8. Can: Hoolah Hoola (Can)
Rite Time: Mercury Records – 838 883 1
Cologne GM
Malcolm Mooney: vocal
Irmin Schmidt: keys
Jaki Liebezeit: drums
Michael Karoli: bass, vocals, pocket organ
Hoger Czukay: french horn, dictaphone, synth, bass
Produced by Michael karoli and Holger Czukay 1989
Recorded by Patrick Jauneaud at Outer Space Studio, Nice FR
Mixed by Michael Karoli, Holger Czukay and Rene Tinner at Can Studio, Weilerswist GMJaki Liebezeit b. 26 May 1938 Dresden GM – d. 22 January 2017 (aged 78)
In the mid-1960s, he was part of Manfred Schoof's quintet, who were early exponents of European free jazz.[4]
He subsequently moved towards the new possibilities being opened by psychedelic music as a member of Can. His drumming was prominent in the band's sound. Liebezeit is best known for his exceptional his incredible timing. The members of Can suggested that he was part machine. He sat behind the kit for each of the band’s 12 studio albums.
This particular album was Can’s last real one, and its first in over 10 years. It is also the first Can album since their debut LP which features Can’s original vocalist, Malcolm Mooney. His vocals are spectacular. Totally original.
9. BTO: Takes A Lot Of People (BTO)
Street Action: Mercury Records – SRM 1-3713
Vancouver BC
CF Turner: guitar, vocals
Rob Bachman: drums
Blair Thornton: guitar
Jim Clench: bass, vocals
Produced by BTO 1978
Recorded by Rolf Hennemann at Can Base Studios, VancouverThis was BTO in full motion after Randy Bachman’s leaving. Probably because of the split, this became the band’s least successful albums, spawning no hit songs, something they had no problem providing from 1973 on.
10. Bobby Edwards & Art Devilliers: Beefeater’s Samba (B Edwards)
CBC Broadcast Recording: CBC Records – LM 405
Toronto ON
Bobby Edwards: guitar
Art Devilliers: giutar
Produced by Paul Mills 1974
Recorded by Larry MoreyArt De Villiers has been a prominent brazilian jazz guitarist in Toronto. Bobby Edwards, now living in Tottenham ON, must be the most recorded Canadian guitarist ever. He began sitting in to recording sessions for radio and television back in the 60s when he was still a teen. Since his own professional career took off at the young age of 15, Edwards has performed on over 1.000 television shows and countless commercial recordings, and scored for a large number of motion pictures. During the hey-day of studio work in Toronto, Edwards was among the first-call musicians.
He claims to have been making 6 figures by the time he was an adult. Had money flowing out of his pockets. He participated in two Command Performances before HRH Queen Elizabeth II, and has been a featured guitarist with Ella Fitzgerald, Oscar Peterson, Henry Mancini, Anne Murray, Paul Anka, and Kenny Rogers. By the mid 80s studio work was drying up; commercials were using sound bites and the money dried up. Here, he and Art Devilliers are captured on rare vinyl by The CBC on a broadcast recording with 3 other artists: Jodie Drake, Christopher Jane and Claude Blouin.
Hour Two
1. Herb Alpert & Tijuana Brass: More And More Amor (Sol Lake) 1965
Going Places: A&M Records SP 4112
Los Angeles CA
John Pisano (electric guitar)
Bud Coleman: guitar, mandolin
Lou Pagani (piano)
Nick Ceroli (drums)
Pat Senatore (bass guitar)
Tonni Kalash (trumpet)
Herb Alpert (trumpet and vocal
Bob Edmondson (trombone)
Julius Wechter: marimba
Produced by Herb Alpert & Jerry Moss 1965Herbert "Herb" Alpert (born March 31, 1935) Los Angeles
Alpert’s fifth album - spent six weeks at number one in 1966
Tijuana Brass was really just Alpert till 1964 when he put together a touring band of studio musicians. None of them were Hispanic.Alpert called them: Four lasagnas, two bagels, and an American cheese
Ervan F. "Bud" Coleman (July 7, 1921 May 26, 1967) played with Alpert and the Baja Marimba Band.
Coleman died in 1967 from surgical complications2. The Peels: Juanita Banana (Tash Howard / Murray Kenton)
45 single bw Fun: Karate Records – KT 522
USA
Gail Allan
Bill Spilka
Harvey Davis
Harold Swart
Produced by "A (Tash) Howard/Smith Production" 1966
Arranged and conducted by Charlie Fox"Juanita Banana" is a novelty song adaptation from Mexican folk music by Tash Howard and Murray Kenton.[1] The song, which tells the story of a Mexican banana farmer's daughter with operatic ambitions and whose chorus is an adaptation of "Caro Nome" from Giuseppe Verdi's opera Rigoletto.
The Peels, a studio group assembled by co-writer Tash Howard
3. Walter Ostanek Band: Mexican Hat Dance Polka (PD)
K-W Oktoberfest Ein Prosit I: Axe records – AXO 1601
St Catherines ON
Walter Ostanek: accordion
Vil Ciemitis: drums
Ken Cenko: guitar, banjo
Roy Bice: sax
Ron Podio: bass
Produced by Greg Hambleton 1975
Recorded by Steve Vaughan at Toronto Sound StudiosK-W is Kitchener-Waterloo ON, host of Canada’s biggest Oktoberfest
4. Willie Nelson: Blue Skies (Irving Berlin)
Stardust: Columbia Records – PC 35305
Abbott TX
Willie Nelson: vocal, guitar
Bobbie Nelson: piano
Paul English: drums
Rex Ludwig: drums
Jody Payne: guitar
Bee Spears: bass
Chris Ethridge: bass
Mickey Raphael: harmonica
Booker T Jones: organ, piano
Produced by Booker T Jones 1978
Recorded by Bradley hartman & Donivan Cowart in The Enactrobn Truckb. April 29, 1933 (age 83)
The arrangements were impeccable. The performances transcendent. Stardust was on the Billboard's Country Album charts for ten years—from its release until 1988.
5. Jim Kweskin: Tumbling Tumbleweeds (Bob Nolan)
Side By Side: Mountain Railroad Records – MR 52790
Stamford CN
Jim Kweskin: vocal, guitar
Richie Guerin: mandolin, guitar, vocal
Terry Berhhard: piano, vocal
Etta Russell: cello, guitarone
Produced by Stephen Powers 1979
Recorded live at McCabe’s, Santa Monica Car
Recorded by Jon Monday, Lynne Kamins and Stephen Powers
Mixed at Takoma Studios, Santa Monica
Mastered at Diskwerks, Schaumburg ILJim Kweskin (born July 18, 1940, Stamford, CN) founder of the Jim Kweskin Jug Band, who recorded 7 studio albums. Then went on to record solo albums. Still out there doing his thing.
6. Robert Pinard: Reel de Trudeau (R Pinard)
Robert Pinard: bonanza records – B-29661
Asbestos QC
Robert Pinard: violin
Undredited others
Produced by Levis Bouliane – 1976
Recorded by Denis Aubin at Les Studios JD, MontrealThe lack of liner notes on Bonanza recordings should be criminal. They never seem to list anything of importance about their featured artist and certainly no info on who played on the recordings. Robert Pinard was a respected fiddler in the 1970s.
7. The Canadian Aces: Crazy People (Canadian Aces)
12 inch 45 EP: The Canadian Aces: No label – EP 773188
Toronto ON
Mitchell Lewis: guitar, vocal
Terry Wilkins: bass, vocal
Bucky Berger: drums, vocal
Jody Golick: sax
Scott Cushnie: piano, vocal
Honolulu Heartbreakers: Marian & Eileen Tobin: vocals
Produced by Terry Wilkins & Bucky Berger – 1982
Recorded at Manta Sound by Gary GrayThis is a do it yourself EP: four short songs on a 12 inch 45. It would be another three years before they put out their debut album Modern Primative on Axe Records. This song particularly features The Honolulu Heartbreakers, Marian & Eileen Tobin.
8. Jim McHarg’s Dixielanders: Ain’t gonna Give You none Of My Jelly Role (Clarence & Spencer Williams)
Trad Mad: Arc Records – ACS 5028
Toronto ON
Jim McHarg: bass
Malcolm Higgins: trumpet, vocal
Bruce Bakewell: clarinet
Ron Simpson: banjo, guitar
Gordon Urquhart: drums
Produced by Jim McHarg 1968
Recorded by Gary Starr at Bay Studios, Toronto
Girl in the Pink Dress on the cover: Annette
Dress Supplied by David II, YorkvilleJames McHarg: born 1927 in Glasgow, Scotland – d. Toronto September 27, 2003.
Jim McHarg was a Scottish trad jazz enthusiast who immigrated to Canada around 1960 and started putting bands together. Along with many other jazz playing British ex-pats (Jim Galloway being one) he formed The Metro Stompers and the Dixielanders. Later he formed the Midnight Special and Jim McHarg’s Maple Leaf Jazz Band.
9. Salome Bey: You’re Gonna Fall (Russ Little)
Salome Bey: Pickwick Records – PC 60001
Toronto ON
Salome Bey: vocals
Unknown band
Produced by Roy Smith 1980
Recorded by Roy Smith at Eastern Sound Studios, Torontob. New Jersey, 1944, has lived in Toronto, Ontario since 1966
became known as "Canada's First Lady of Blues"
In 2005, she was made an honorary Member of the Order of Canada.
Beginning in her early sixties, Bey began showing signs of dementia. As of 2011 her illness had progressed to the point that she can no longer perform.10. Oscar Peterson Trio: Cakewalk (Oscar Peterson)
Nigerian Marketplace: Rablo Records – D2308231
Montreal QC / Mississauga ON
Oscar Peterson: piano
Niels Henning Ørsted-Pedersen: bass
Terry Clark: drums
Produced by Norman Granz – 1982
Recorded by David Richards of Mountain Studios, Montreux, Switzerland, July 16, 1981
Mixed by Arne Frager, Spectrum Studios, Venice CA
Recorded on Sony Digital SystemsRecorded at the 1981 Montreux Jazz Festival, this was a piece that Peterson liked to play live.
11. Donnie & The Dreamers: Teenage Love (Goldman / Catalano)
45 single bw My Memories Of You: Reo Records – 8598X
The Bronx, NYC
Louis "Donnie" Burgio (Lead)
Peter "Pete Alonzo " Vecchiarelli(Bass)
Andy Catalano(Tenor)
Frank Furstaci(Baritone)
Produced by Vinny Catalano - 1961Most of the band members were about 22 yrs old, all Italian New Yorker kids towards the end of the doo-wop era. Recorded three of their own singles and backed up other recording artists.
12. Bill Deal & The Rhondels: May I (M Williams)
45 single bw Day By Day My Love Grows Stronger: Heritage Records – HE 803X
Portsmouth, VA
Bill Deal - vocals, keys
Ammon Tharp - lead vocals, drums
Ken Dawson – trumpet
Rollie Ligart - trumpet
Don Quisenberry – bass
Mike Kerwin - guitar, trumpet
Tom Pittman - saxophone
Ronny Rosenbaum – trombone
Produced by Bill Deal - 1969
Recorded in Bell Sound Studio, NYCBill Deal (born July 8, 1944, died December 10, 2003)
Originally formed his band in 1959 and continued until 198313. Deep Purple: Speed King (Blackmore / Gillan / Glover / Lord / Paice)
Deep Purple In Rock: Warner Brothers WS 1877
London UK
Ritchie Blackmore guitar
Jon Lord keyboards, organ
Ian Paice drums, percussion
Ian Gillan lead vocals
Roger Glover bass
Produced by Deep Purple June 3, 1970
Recorded by Martin Birch at De Lane Lea Studios October 14, 1969 April 13, 1970
Mastered by Peter Mew
14. Julius La Rosa: Midnight In Moscow (Brand, Nassau, Soloviev, Sedoi, Matusovosky)
45 single bw If I Had My Way: Kapp Records – K 444
Brooklyn NY
Produced 1962Julius La Rosa (January 2, 1930 – May 12, 2016)
Midnight in Moscow is actually the vocal version of “You Can’t Keep Me From Loving You”
One of the songwriters was Winnipeg born Canadian folkie Oscar Brand (February 7, 1920 – September 30, 2016, Great Neck NY)
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