with Steve Fruitman
#245
October 15, 2018
click pic to go to Campstreams page
Down To The Blues Again!
Hear this show now
Hour One: Down To The Blues Again1. John Mayall: 2401 (John Mayall) 1968
2. Fleetwood Mac: Doctor Brown (John Thomas Brown / Waymon Glasco) 1968
3. Johnny Winter: Bladie Mae (Johnny Winter) 1977
4. Robert Johnson: Me And the Devil (Robert Johnson) 1937
5. Otis Spann: The Blues Never Die (Otis Spann) 1965
6. BB King: Waitin’ On You (F. Washington / BB King) 1967
7. Muddy Waters: Streamline Woman (McKinley Morganfield) 1979
8. Sonny Boy Williamson II: Pontiac Blues (R Miller) 1951
9. The Fieldstones: Saddle Up My Pony (Charlie Patton) 1983
10. Blind Blake: Dry Bone Shuffle (Blind Blake) 1927
11. Adam Faith: It’s Alright (Andrews) 1965
12. The Fashions: I Just Got A Letter (D Clowney) 1962
13. The Fabulous Thunderbirds: That’s Enough Of That Stuff (Kim Wilson) 1980
14. Mike Bloomfield: Next Time You See Me (Ben Tucker) 1969Hour Two: The Canadian Blues Response
1. Canadian Squires: Uh Uh Uh (Robbie Robertson) 1965 *
2. Canadian Squires: Leave Me Alone (Robbie Robertson) 1965 *
3. The Band: The Shape I’m In (R Robertson) 1970 *
4. Colin Linden: Chest Fever (J R Robertson) 1988 *
5. Al Cromwell: Al’s Blues (Al Cromwell) 1987 *
6. McKenna Mendelson Mainline: One Way Ticket (Mendelson Joe) 1969 *
7. Shawne Jackson: Women of the World (Domenic Troiano) 1976 *
8. Downchild Blues Band: Road Fever (Jane Vasey) 1980 *
9. Minglewood Band: Long Way From Texas (Matt Minglewood) 1979 *
10. Bim aka Roy Forbes: I’m So Lonesome I Could Cry (Hank Williams) 1976 *
11. King Bisciut Boy: Blue Light Boogie (J.M. Robinson) 1988 *
12. Powder Blues Band: Buzzard Luck (Winonie Harris) 1979 *
13. Randy Bachman: Pookie’s Shuffle (Randy Bachman) 1970 *CanCon = 48%
And Now for The Particulars:Hour One – Down to the Blues Again!
1. John Mayall: 2401 (John Mayall)
Blues From Laurel Canyon: London Records PS-545
London UK
John Mayall: Keys, vocals
Mick Taylor: guitar
Stephen Thompson: bass
Colin Allen: drums
Produced by John Mayall, 1968John Mayall, OBE (b. Nov 29, 1933 Macclesfield UK age 84)
Mayall’s first album after the dissolution of The Bluesbreakers. It features Mick Taylor just prior to joining the Rolling Stones. Mayall had a penchant for recruiting the brightest and the best young musicians into his Bluesbreakers. The list includes guitarists Eric Clapton, Peter Green and Mick Taylor; bass players John McVie and Jack Bruce; drummers Highie Flint, Mick Fleetwood, Aynsley Dunbar, Keef Hartley, Jon Hiseman and Colin Allen; sax player Dick Heckstall-Smith. Mayall is the godfather of the British Blues! Long may he reign!
2. Fleetwood Mac: Doctor Brown (John Thomas Brown / Waymon Glasco)
English Rose: Epic Records - BN 26446 (US only)
London UK
Peter Green - guitar
Danny Kirwin: vocals, slide guitar
Mick Fleetwood: drums
John McVie: bass
Steve Gregory: alto sax
Dave Howard: also sax
Johnny Almond: tenor sax
Roland Vaughan: tenor sax
Produced by Mike Vernon
Recorded by Mike Ross at CBS Studios, London UK, April 1968Jeremy Cedric Spencer (b. Hartlepool, Durham UK July 4, 1948)
Spencer began playing in a trio called The Levi Set and was asked by Peter Green to play slide guitar in the fledgling Fleetwood Mac. Green had already recruited Mick Fleetwood and Bob Brunning (bass) so a second guitarist filled out the bill. Spencer was incredible playing slide in the style of Elmore James and piano phrasings of the old barrelhouse. He also perfected the vocal technique to go along with his playing. He left the band, mid-tour in the US in 1971 to join The Children of God cult.
J. T. Brown (b. Mississippi April 2, 1918 – d. November 24, 1969 Chicago)
Billed as Saxman Brown, he performed mostly in the Chicago area. Played and recorded with Elmore James and Howlin Wolf. He also recorded as a leader for several independent record labels, including JOB and United. He appeared on several tracks of Fleetwood Mac's 1969 album Fleetwood Mac in Chicago
3. Johnny Winter: Bladie Mae (Johnny Winter)
Nothing But The Blues: Columbia
Beaumont, Texas
Johnny Winter - guitar, harmonica, drums, bass, vocals
James Cotton - harmonica
Willie "Big Eyes" Smith - drums
Pinetop Perkins - piano
Bob Margolin - guitar
Charles Calmese - bass
Produced by Johnny Winter 1977
Recorded by Grant Barlow at The Schoolhouse
Mastered by Greg Calbi at Sterling Sound, NYCJohn Dawson Winter III (b. Feb 23, 1944 Beaumont TX / d. July 16, 2014 Zurich, SW)
Released his first record, School Day Blues, with Johnny And The Jammers when he was 15. Made his first album, Progressive Blues Experiment, in 1968 which was released on a small Texan label called Sonobeat. They sold the rights to Imperial Records who re-released it in 1969 when Winter made it big with the release of his first album for Columbia earlier that year.
4. Robert Johnson: Me And the Devil (Robert Johnson)
King of the Delta Blues Singers Vol 1&2: Blue Diamond CBS Records 22190
Hazelhurst, MS
Robert Johnson: guitar, vocal
Produced by Don Law
Recorded by Don Law June 20, 1937, The Vitagraph Building, Dallas TexasRobert Leroy Johnson (b. May 8, 1911 near Hazelhurst MS / d. August 16, 1938 Greenwood MS aged 27)
Johnson reportedly recorded facing the wall, which has been cited as evidence he was a shy man and reserved performer. This conclusion was played up in the inaccurate liner notes of the 1961 release of King of the Delta Blues Singers. Ry Cooder speculates that Johnson played facing a corner to enhance the sound of the guitar, a technique he calls "corner loading".
This song, as are possibly all of the songs Johnson recorded, has become a blues standard, covered by no less than Peter Green Splinter Group, Cowboy Junkies, Eric Clapton, and The Doors.
5. Otis Spann: The Blues Never Die (Otis Spann)
The Blues Never Die: Prestige Records PR 7719
Chicago IL
Otis Spann: Piano, vocal
Milton Rector: bass
S.P. Leary: drums
Dirty Rivers: guitar
James Madison: guitar
James Cotton: harmonica
Produced by Samuel Charters, 1965
Recorded November 24, 1964
Liner Notes by Pete WeldingOtis Spann (b. Mississippi, March 21 1924 or 1930 / d. April 24, 1970, Chicago)
By the age of 14, he was plaing in bands in the Jackson area (of Mississippi). He moved to Chicago in 1946 where he was mentorred by Big Maceo Merriweather whom he replaced as Muddy Waters’ pianist in 1952. He stayed with Waters until 1968, having worked on albums with Buddy Guy, Big Mama Thornton, Fleetwood Mac etc.
Headstone Inscription: “Otis played the deepest boues we ever heard - He’ll play forever in our hearts”.
He succumbed to liver cancer in 1970 and was posthumously elected to the Blues Hall of Fame in 1980.
6. BB King: Waitin On You (F. Washington / BB King)
Blues Is King: BluesWay / Sparton (Canada) BLS 6001
Bena MS
BB King: guitar, vocal
Kenneth Sands: trumpet
Bobby Forte: tenor sax
Duke Jethro: organ
Louis Satterfield: bass
Sonny Freeman: drums
Produced by Johnny Pate & Louis Zito, 1967Blues Boy Riley B. King (b. September 16, 1925 Itta Bena MS / d. May 14, 2015 (aged 89) Las Vegas, NV
BB King, Muddy Waters and Howlin’ Wolf were the three reigning Monarchs of the Chicago Blues Scene after they migrated up there from The Delta after the second world war. All three would probably agree that their live performances were a lot more indicative of their playing than any of their studio recordings so here’s two live ones!
7. Muddy Waters: Streamline Woman (McKinley Morganfield)
Muddy Mississippi Waters Live: Epic Records – BL 35712
Chicago IL
Muddy Waters: slide guitar, vocal
Willie Smith: drums
Pine Top Perkins: piano
Bob Margolin: guitar
Jerry Portnoy: harp
Calvin Jones: bass
Luther Johnson: guitar
Produced by Johnny Winter, 1979
Recorded by Dave StillMcKinley Morganfield (b. Stovall Plantation near Clarksdale, Mi April 4, 1913 – April 30, 1983 Chicago)
In August 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled in Rolling Stone, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'"Muddy migrated up to Chicago in 1943, bought his first electric guitar in 1944 and began recording commercially for the Chess Brothers Aristocrat label in ’47.
8. Sonny Boy Williamson II: Pontiac Blues (R Miller)
King Biscuit Time: Arhoolie Records 2020
Helena Arkansas
Rice Miller aka Sonny Boy Williamson: harmonica, vocal
Clarence Lonnie: piano
Frock: drums
Willie Wilkins: guitar
Cliff Bivens: bass, vocals
Produced by Lilian McMurry, 1951
Compilation Produced by Chris Strachwitz, 1970
Recorded Jackson, Mississippi
Original 78s recorded on portable euquipment at ACA Studios, Houston9. The Fieldstones: Saddle Up My Pony (Charlie Patton)
Memphis Blues Today!: High Water Records LP 1001
Memphis Tenn
Wordie Perkins: guitar
Willie Roy Sanders: guitar
Lois Brown: bass
Bobby Carnes: organ, piano
Joe Hicks: drums
Produced by Dr. David Evans for Memphis State University 1983
Recorded by Stan Gibson at Memphis State University Commercial Music StudioConsidered to be the perfect modern Memphis Blues album of its day. 1st LP issued by High Water Records.
10. Blind Blake: Dry Bone Shuffle (Blind Blake)
78 rpm single bw One Time Blues: Paramount Records 12479
Jacksonville FL
Blind Blake: guitar, vocal
Bones Player: Unknown
Produced 1927Arthur “Blind” Blake b. Jacksonville FL, 1896 / d. Dec 1, 1934 (aged 38), Milwaukee WI
Influenced by the tribal rhythms preserved in the Sea Islands Florida shares with Georgia. His “style” is cited as a major influence in the playing of The Reverend Gary Davis, Jorma Kaukonen of Jefferson Airplane, Ry Cooder, John Fahey and Ralph McTell, Leon Redbone and Mose Scarlet…
11. Adam Faith w The Roulettes: It’s Alright (Andrews)
45 single bw I Love Being In Love With You: Capitol Canada 6000 Series 72205
London UK
Adam Faith: vocal
Mod Rogen: bass
Bob Henrit: drums
Alan Jones: sax
Norman Stracey: rhythm guitar
Peter Thorp: lead guitar
Russ Ballard: keys
Charles Blackwell: musical director
Canadian Production by Paul White 1965
Recorded in Great BritainTerence "Terry" Nelhams-Wright (23 June 1940 8 March 2003)
First became known in UK for his Elvis / Buddy Holly type hiccupping glottal stops and exaggerated pronunciation singing with and managing a skiffle group, the Worried Men. His solo career took a while to develop as his recordings all flopped. However, he started doing television which made him quite popular.
It’s Alright was the B Side for the UK single but was a hit in Canada. Bythe 1980s, Faith had become an investor and financial adviser writing for the Daily Mail. Died of heart attack Stoke-On-Trent after a performance there
12. The Fashions: I Just Got A Letter (D Clowney)
45 single bw Try My Love: Ember Records E-1084
New York City
Barbara English
Jeanne Bolden
Barbara Saunders
Helen Powell
Dave Cortez: conductor, arranger
Produced 1962Originally known as The Bouquets before becoming The Clickettes. Began recording 1958. Due to a dispute with ex-manager who claimed their name, they were forced to change it to The Fashions in 1961.
13. The Fabulous Thunderbirds: Thats Enough of That Stuff (Kim Wilson)
Whats The Word: Chrysalis CHR 1287
Austin TX
Kim Wilson - vocals, harmonica
Jimmie Vaughan - guitar
Keith Ferguson - bass
Fran Christina drums
Produced by Denny Bruce, 1980
Recorded by Bob Sullivan at Sumet-Bernet Studio, Dallax TX
Mastered by Frank DeLunaFirst got together in Austin in 1974. This is from the second of their 14 albums. Kim Wilson has been the heart and soul of the band since its inception. Jimmie Vaughan was the brother of the late Stevie Ray Vaughan.
14. Mike Bloomfield: Next Time You See Me (Ben Tucker)
It’s Not Killing Me: Harmony Records – KH 30395
Chicago IL
Mike Bloomfield: guitar, vocal, piano
Bob Jones: drums
John Kahn: bass
Fred Olsen: guitars
Ira Kamin: keys, banjo
Mark Naftalin: keys
Roy Ruby: organ
Michael Melford: guitar, mandolin
Nick Graventites: vocals
Orville Rhodes: steel
Ron Stallings: tenor sax
Mark Teel: baritone sax
Greald Oshita: saxes
Noel Jewkis: saxes
John Wilmeth: trumpet
Richard Santi: accordion
Marcus Doubleday: trumpet
Diane Tribuno: vocal
The Ace Of Cups: vocals
Produced by Nick Gravenites, Michael Melford 1969
Recorded Golden State Recording, San Francisco; Wally Heider Studios, San Francisco; Columbus Studios, San Francisco; Columbia Records, Los AngelesMichael Bernard Bloomfield (b. Chicago July 28, 1943 – d. San Francisco February 15, 1981)
While still in High School, Bloomfield put his first band together: The Hurricanes. He was expelled after his band performed a raucous rock and roll song at a 1959 school gathering. Bloomfield had attended a 1957 Chicago performance by blues singer Josh White, and began spending time in Chicago's South Side blues clubs and playing guitar with such black bluesmen as Sleepy John Estes, Yank Rachell,and Little Brother Montgomery. He first sat in with a black blues band in 1959, when he performed with Luther "Guitar Junior" Johnson at a Chicago club called the Place. He performed with Howlin' Wolf, Muddy Waters, and many other Chicago blues performers during the early 1960s. Michael used to say, 'It's a natural. Black people suffer externally in this country. Jewish people suffer internally. The suffering's the mutual fulcrum for the blues.'
In the 1960s he was asked to join the Paul Butterfield Blues Band. In 1965 he was asked to back up Bob Dylan on Highway 61 Revisited. He backed Dylan at the Newport Folk Festival that nearly ended in a riot. In 1967 he helped form a short lived but amazing band Electric Flag who performed at the Monterey Pop Festival. After this he went solo, recorded with Al Kooper on the seminal album Super Session. Then he got addicted to heroin and had to stop performing. He was found dead behind the wheel of his Mercedes, with all four doors locked after an apparent drug overdose in 1981.
Hour Two – Canadian Blues
1. Canadian Squires: Uh Uh Uh (Robbie Robertson)
45 bw Leave Me Alone: Apex Records 76964
Toronto, ON
Rick Danko, bass
Levon Helm, drums, lead vocal
Garth Hudson, keys
Richard Manuel, keys
Robbie Robertson, guitar
Produced by Harry Glover, 1965
Recorded and Bell Studios, New York City2. Canadian Squires: Leave Me Alone (Robbie Robertson)
45 bw Uh Uh Uh: Apex Records 76964
Toronto, ON
Rick Danko, bass
Levon Helm, drums, lead vocal
Garth Hudson, keys
Richard Manuel, keys
Robbie Robertson, guitar
Produced by Harry Glover, 1965
Recorded and Bell Studios, New York CityBrought into Bell Studios in New York just before they were recruited to back Bob Dylan. They were still called The Hawks at that time but the record company decided to release this single as The Canadian Squires, much to the band’s chagrin. It captures the Band at the loudest with a searing guitar solo by Robbie Robertson.
3. The Band: The Shape I’m In (R Robertson) 1970 *
Stage Fright: Capitol - SW 425
Turkey Scratch ARK / Ontario
Levon Helm: drums, vocal
Jamie Robbie Robertson: guitar
Richard Manuel: vocal, hammond Organ
Rick Danko: bass
Garth Hudson: keys, brass, woodwinds
Produced by Todd Rundgren, 1970
Recorded by Todd Rundgren
Compilation compiled and produced by Cheryl Pawelski
Remastered 2000 by Ron McMaster and Andrew Sandoval at Capitol Mastering
http://theband.hiof.no/4. Colin Linden: Chest Fever (J R Robertson)
When The Spirit Comes: A&M Records – SP 9143
Toronto / Nashville
Colin Linden: lead vocal, guitars
Rick Danko: harmony vocal
Gary Craig: drums
Shane Adams: bass
John Whynot: keys, percussion
Produced by John Whynot with Colin Linden, 1988b. Toronto, April 16, 1960
Album features both Rick Danko and Garth Hudson. Colin grew up with the blues, dragging his mother when he was only 11 to the Colonial Tavern, Yonge Street, Toronto, to watch the Saturday matinee performances by the likes of Fred McDowell, Taj Mahal and Howlin’ Wolf. His slide guitar mentor was another Torontonian player, David Wilcox. He currently lives in Nashville, doing production and playing with Blackie & The Rodeo Kings
5. Al Cromwell: Als Blues (Al Cromwell) *
Grossmans Live: Spadina Beat Records WRC1-5490
Toronto ON
Al Cromwell: guitar, vocals
Produced by Michael McDonald & Michael Pickett 1987
Recorded by Michael McDonald w Jim Jones, Bob Read,
Pat Rush & Cory Turnbull, Grossmans Tavern, Toronto
Mastered by Pete Norman at McClear Place, Torontob. Finny’s Cove, Nova Scotia / d. 1995, Toronto
Born in Nova Scotia, the family moved up to Montreal where Al grew up before relocating to Toronto. He got into the coffee house scene, folk music and blues, teamed up with boyhood friend, Doug Bush (Johnson). Played the first Mariposa Folk Festival up in Orillia ON in 1961.
6. McKenna Mendelson Mainline: One Way Ticket (Mendelson Joe)
Stink: Liberty LBS 83251 / EMI C2 0777 7 26590 2 6
Toronto, ON
Mike McKenna, guitar April 15, 1946 in Toronto
Mendleson Joe July 30, 1944
Tony Nolasco July 9, 1950 in Sudbury
Mike Harrison November 1, 1948 in Brampton
Produced by Liberty Records Staff, June 11, 1969
Recorded in London, EnglandWhen these guys hit the scene, they hit it rather big in 1968, playing their third ever gig in front of a full house at Toronto’s Massey Hall, opening for The Fugs. That winter they moved to London, England where they were critically aclaimed. They signed to Liberty Records and recorded this, their infamous Stink album before returning home to Canada and breaking up. But this album was huge in Canada, forcing them to reform again as Mainline after several months home.
7. Shawne Jackson: Women of the World (Domenic Troiano)
Shawn Jackson: RCA APL1-1320
Toronto ON
Domenic Troiano, guitar
No other musicians listed
Produced by Domenic Troiano, 1975
Recorded by Keith Olsen, Terry Brown, George Semkiew, Brian Christian, Sound City, Toronto
Sound, Sound Stage and Phase I, Toronto
Mastered by Rick Collins at Kendun RecordersStarted her music career when she was only 15, fronting a Toronto band called The Silhouettes before joining her brother, Jay, in The Majestics. In The Silhouettes she got national TV exposure after landing a vocal gig with CBC’s Music Hop program. Although her solo music career took a backseat to her acting, she’s backed up artists, such as her husband, Domenic Troiano, Luba, Bruce Cockburn, Sass Jordan, Colin James, Long John Baldry, Alice Cooper and The McKenzie Brothers.
8. Downchild Blues Band: Road Fever (Jane Vasey)
Road Fever: Attic Records LAT 1099
Toronto ON
Don Walsh: guitar, harmonica, slide guitar
Jane Vasey: piano, vocals
Tony Flaim: lead vocals
Gary Kendall: bass, vocals
Bob Heslin: trumpet
Larry Bodner: sax
Richard Howse: sax
Produced by Bill Bryans 1980
Recorded by Dan Lanois at Grant Avenue Studio, Hamilton ON
Mastered by George Graves at The Lacquer Channel, TorontoFor nearly 50 years this Canadian blues band has been active, releasing numerous albums with a rotating list of characters. Originally the brainchild of Don Walsh, it included his brother Hock which formed the basis for Dan Akroid’s Blues Brothers band idea. Jane Vasey died from leukemia in 1982. She started performing with the band in 1973.
9. Minglewood Band: Long Way From Texas (Matt Minglewood)
Minglewood Band: RCA KKL1-0325
Halifax NS
Matt Minglewood: lead vocal, guitar, organ
Mark MacMillan: guitar
Enver Sampson Jr.: Harmonica
Donnie Hann: bass
Paul Dunn: keys
Bobby Woods: drums
Produced by Claire Lawrence - 1979
Recorded by Dave Slagter at Springfield Sound, London ON
Additional Recording: Little Moiuntain Sound, Vancouver BC
Mastered at Sterling Sound, NYCMatt Minglewood (born Roy Alexander Batherson, 31 January 1947 in Moncton, NB)
He later moved to nearby Glace Bay, Nova Scotia where he resides to the present day. Was part of a band called 'Sam Moon, Matt Minglewood & The Universal Power'. The group was formed in 1969 with Sam Moon and Minglewood sharing vocal duties.
10. Bim aka Roy Forbes: I’m So Lonesome I Could Cry (Hank Williams)
Best of Touch The Earth: CBC Records - LM 473
Vancouver, BC
Roy Forbes: guitar, vocal
Produced by Paul Mills - 1976
Recorded by Paul Mills at Hotel VancouverI once played this song and was asked by Lena Connors, Stompin’ Tom’s wife, about it. She was shocked to learn that it was a guy singing, but being a Hank Williams fan, she found it to be a really cool rendition.
This is taken from a CBC Records double album: The Best of Touch The Earth, which was a folk radio show hosted by Sylvia Tyson. The album features a long list of performers, many of whom cut their teeth on this program. Included are a 15 year old Colin Linden as well as Willie P Bennett, fiddler Jean Carignan, Valdy, Ian Tamblyn, Figgy Duff, Margaret Christl, Stan Rogers and David Wiffen.
11. King Biscuit Boy: Blue Light Boogie (J.M. Robinson)
Richard Newell aka King Biscuit Boy: Stony Plain Records SPL 1120
Hamilton ON
King Biscuit Boy: vocals, harmonica
Dennis Grasely aka Sonny Del Rio: saxes
John Lewis: guitar
Teddy Joe Brown: piano
Neil Nickafor: bass
Paul Panchezak: drums
Produced by Andy Grigg & Richard Newell, 1988
Recorded & Mixed at Sound Path Studios, Oakville ON by Richard LightheartRichard Alfred Newell (March 9, 1944 January 5, 2003)
This is one of my favourite Canadian blues tracks! I love the beat, the dog howls, the feel of the song. Sonny Del Rio is a fabulous musician, known to jump up on a table to blow a solo. The Hamilton Spectator rated him as the 11th most popular Hamiltonian of all time!
12. Powder Blues Band: Buzzard Luck (Winonie Harris)
Uncut: RCA KKLI-03656
Vancouver BC
Tom Lavin: guitar, vocals
Jack Lavin: bass, vocals
Will MacCalder: keys
Duris Maxwell: drums
David Woodward: tenor sax
Produced by Tom Lavin 1979
Recorded by Brian Campbell at Tetrahedron Studios, Vancouver
Mastered at Location Recorders, Los AngelesFormed in Vancouver in 1978. Its first album Uncut went double platinum in Canada.
The second album Thirsty Ears was similarly popular.
1981 - Juno Award for "Most Promising Group of the Year"
1986 - W. C. Handy Award for Blues, Best Foreign Band13. Randy Bachman: Pookie’s Shuffle (Randy Bachman)
Axe: RCA Victor (Dynagroove) SP 4348
Winnipeg MB
Randy Bachman: lead guitar (left side), bass
Domenic Troiano: lead guitar (right side)
Garry Peterson: drums, percussion
Wes Dakus: pedal steel
Produced by Randy Bachman, 1970
Recorded by Brian Crhsitian and Ed Schnabl at RCA’s Mid-America Studio, ChicagoRandolph Charles Bachman (b. Winnipeg MB Sept 27, 1943)
This is from the album Axe, recorded just months prior to Bachman’s departure from The Guess Who.
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