Hour One
1. Fleetwood Mac: Bare Trees – 1972
2. Mac Beattie: Autumn Memories – 1970 *
3. Peanut Butter Conspiracy: Out In The Cold Again – 1967
4. Spirit: Cold Wind – 1969
5. Tom Kelly: November Song – 1975 *
6. Simon & Garfunkel: Scarborough Fair – 1966
7. Vashti Bunyan: Rose Hip November – 1970
8. The Turtles: Let The Cold Winds Blow – 1965
9. The Beatles: Money – 1963
10. Frank Sinatra: Autumn In New York – 1958
11. Gordon Lightfoot: Wreck of the Edmund Fitzgerald – 1976 *
12. The Boomtown Rats: Wind Chill Factor (Minus Zero) – 1979
13. Buddy Wassisname & The Other Fellas: Autumn Waltz – 1986 *
Hour Two
1. The Du-Cats: Shindig – 1965 *
2. R Crumb & His Cheap Suit Serenaders: Alabama Jubilee – 1976
3. Karen Oxley & The Jubilee Singers: Johnny With The Bandy Legs - 1965 *
4. Billy Dinn: The Golden Jubilee – 1984 *
5. Chet Atkins: Teen Scene – 1963
6. Sandy Nelson: Teen Beat ’65 – 1965
7. Myrna Lorrie: Life’s Changing Scene – 1955 *
8. The Scene: Scenes (From Another World): 1968 *
9. Eugene Smith & The Warm-up Band: Hoot’nany – 1981 *
10. Gene Autry: There’s Nothing Like A Good Old Fashioned Hoedown – 1940
11. Caravan: Hoe Down – 1973
12. Elmo LeBlanc: Breakwater Hoedown - 1984 *
13. It’s A Beautiful Day: Hoedown – 1971
14. Hans Poulsen: Hoedown – 1972
15. Joe Venuti & His Blues 5: Hoedown Lowdown - 1957
16. Jim Magill & His Northern Ramblers: Northern Hoedown – 1952 *
17. Emmerson Lake & Palmer: Hoedown – 1972
18. The Shadows: Shindig – 1963
19. The Beatles: No Reply – 1964
CanCon = 38%
And Now for The Particulars
1. Fleetwood Mac: Bare Trees
(Danny Kirwin)
Bare Trees: Reprise Records 2080
London UK
Danny Kirwan: guitar, vocals
Bob Welch: guitar, vocals
Christine McVie: keyboards, vocals
John McVie: bass guitar
Mick Fleetwood: drums, percussion
Produced by Fleetwood Mac, 1972
Recorded by Martin Birch at DeLane Lea Music Centre, London
Mixed by Bob Hughes at Record Plant, Los Angeles
Mastered by Lee Herschberg
Cover photo by John McVie
Daniel David Kirwin (b. Brixton UK, 13 May, 1950 – d. London June 8, 2018)
Only 17 when he came to the attention of Fleetwood Mac in 1967, he was left holding the flame of Fleetwood Mac after Peter Green and Jeremy Spencer left the group. Bare Trees was his swan-song album with the band, released just before he was fired for drunken behavior. By then, Christine McVie (Perfect) and Bob Welch (guitarist) were in the band, writing pop songs. The winds were changing and the Mac obliged, leading them in a totally new direction. This album perfectly expresses Autumn feelings.
2. Mac Beattie & Ottawa Valley Melodiers: Autumn Memories
(Mac Beattie)
Mr. Ottawa Valley: Banff Rodeo RBS 5333
Arnprior ON
Reg Hill: fiddle
Mac Beattie: vocal, drums
Gaetan Fairfield: guitar
Jim Mayhew: piano
Gordon Summers: lead guitar
George Courschesne: bass
Produced by Ralph Carlson 1970
Recorded at Carlsound Studios, Ottawa
www.backtothesugarcamp.com/macbeattie.html
John McNab Beattie b Arnprior, ON, 21 Dec 1916 / d 14 Jun 1982 (65)
This Autumn day has gone its way
And faded much too soon
But you and I have touched the sky
This lovely afternoon
3. The Peanut Butter Conspiracy: Out In The Cold Again
(Monda / Colley)
For Children Of All Ages: Challenge Records
Los Angeles
Barbara Robison: vocals
Alan Brackett: bass, vocals
Ralph Shuckett: keys
Peter McQueen: drums
John Merrill: guitar, vocal
Produced by Alan Brackett, 1969
Recorded by Tom Perry
Formed in Los Angeles in 1966, the were originally called The Young Swingers featuring future Jefferson Airplane drummer Spencer Dryden. They morphed into the Crossing Guards before finding the name Peanut Butter Conspiracy. They split up in 1970.
4. Spirit: Cold Wind
(Jay Ferguson)
Clear Spirit: Columbia Records (USA) ELS 356
Los Angeles, CA
Randy California: guitar
Jim Locke: keys
Mark Andes: bass
Ed Cassidy: drums
Jay Ferguson: keys
Produced by Lou Adler, 1969
Recorded by Stachowaik, Weinbang and Steiner
Spirit was founded in 1967 in Los Angeles. They were best known for their albums ‘Twelve Dreams of Dr. Sardonicus’. Lead by Randy California and his step-dad, drummer Ed Cassidy (born 1923), they recorded several great albums of really cool music.
California, who’s real name was Randy Craig Wolfe, previously played guitar with Jimi Hendrix as a member of ‘Jimmy James and the Blue Flames’ in New York City's Greenwich Village in 1966. It was Hendrix who gave Wolfe the nickname "Randy California" to distinguish him from the other Randy in the band, Randy Palmer, who Hendrix called "Randy Texas".
5. Tom Kelly: November Song
(Tom Kelly)
CBC Broadcast Recording CBC Radio Canada LM 413
Thunder Bay ON
Tom Kelly: guitar, vocal
Paul Mason: piano
Unknown others
Produced by Ira Stewart, 1975
Recorded by Lee Bailey in Halifax NS
Thomas Kelly b. Thunder Bay, ON / d. of heart attack on November 25, 2012 Burlington ON
Was the co-host of CBC TVs ‘Singalong Jubilee’ from 1971-74. For the rest of the 70s, Kelly partnered up with Gene MacLellan, performing and crafting out songs. When nobody else was looking, they forged a movement to change the Canadian copyright laws to be more favourable to singer/songwriters.
So I find it interesting that a great songwriter is left out of wikipedia’s "Canadian folk singer-songwriters" category under K. How quickly some of us are forgotten. Anyways, November Rain really captures the scene.
Not to be confused with the American singer/songwriter of the same name (which dominates online information).
6. Simon & Garfunkel: Scarborough Fair / Canticle
(Paul Simon / Trad)
Parsley, Sage, Rosemary and Thyme: Columbia Records – KCS 9363
New York City
Paul Simon: vocals, guitar
Art Garfunkel: vocals, piano
Hal Blaine: drums
Joe South: guitar
Carol Kaye: bass guitar
John Meszar: harpsichord
Produced by Bob Johnston, 1966
Their second LP - The entire album reminds me of Autumn.
Recorded December 1965–August 1966
Backed by members of The Wrecking Crew
7. Vashti Bunyan: Rose Hip November
(Vashti Bunyan)
Just Another Diamond Day: Philips Records 6308-019
Newcastle-Upon-Tyne UK
Vashti Bunyan: guitar, vocal
Christopher Sykes: keys
John Hames: dulcitone
Robin Williamson: harp
Produced by Joe Boyd, 1970
Recorded by Jerry Boys at Sound Techniques, London, Nov-Dec 1969
Jennifer Vashti Bunyan b. 1945
This, her only album while she was young and produced by the amazing Joe Boyd, is a gem. She’s lovely, she’s a flower, she’s a wisp of fresh air and more and it all comes through on her unusual songs. 35 years later in 2005, she decided to record another album! Her third came out in 2014.
8. The Turtles: Let The Cold Winds Blow
(Howard Kaylan)
It Ain’t Me Babe: White Whale Records - White Whale – WW 111
Los Angeles
Al Nichol: guitar
Chuck Portz: bass
Don Murray: drums
Howard Kaylan: lead vocal
Jim Tucker: guitar
Mark Vollman: guitar, vocals
Produced by Lee Lasseff, Ted Feigin, 1965
The Turtles, while known as a bubblegum band for their big hit songs, was a really good rock band with varying influences. Respected by The Beatles and Brian Jones, they were somewhere between garage punk, folk and pop. Vocalists Howard Kaylan and Mark Vollman later became The Florescent Leach and Eddy with Zappa’s Mothers.
9. Beatles: Money (That's What I Want)
(Janie Bradford / Berry Gordy)
Beatlemania With The Beatles: Capitol Records Canada T6051
Liverpool UK
John Lennon: lead vocals, rhythm guitar, screaming, handclapping
Paul McCartney: bass, backing vocals, handclapping
George Harrison: lead guitar, backing vocals, handclapping
Ringo Starr: drums, handclapping
George Martin: double-tracked piano
Produced by George Martin, 1963
Recorded at EMI Studios, London July 18, 1963
10. Frank Sinatra: Autumn In New York
(Vernon Duke)
Come Fly With Me: Capitol Records W 920
Hoboken NJ
Frank Sinatra: vocal
Billy May and His Orchestra:
Produced by Voyle Gilmore, 1958
Recorded October, 1957, Capitol Records Studio A, Hollywood CA
One of the truly great jazz standards, it was composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It wasn’t written for a specific show, but was used in the Broadway musical ‘Thumbs Up!’ which opened December 27, 1934. Many versions of the song have been recorded (by just about anyone who was anyone) but the only version to achieve chart success, as a single, was Frank Sinatra’s which reached No. 27 in 1949. This version was recorded at Capitol Records Studios in 1957.
11. Gordon Lightfoot: The Wreck of the Edmund Fitzgerald
(Gordon Lightfoot)
Summertime Dream: Warner - Reprise MS2246
Toronto ON
Gordon Lightfoot: vocals, guitars
Terry Clements: Lead guitar
Rick Haynes: bass
Pee Wee Charles: steel
Barry Keane: drums
Gene Martynec: synth
Produced by Lenny Waronker & Gordon Lightfoot, 1976
Recorded by Ken Friesen at Eastern Sound Studios, Toronto
Mixed by Lee Herschberg
The Edmund Fitzgerald went down 45 yrs ago on Nov 10, 1975
12. The Boomtown Rats: Wind Chill Factor (Minus Zero)
(Bob Geldolf)
The Fine Art of Surfacing: Ensign Records / Mercury Records SRM-1-3810
London UK
Bob Geldof: vocals, saxophone
Pete Briquette: bass, vocals
Gerry Cott: guitar
Johnnie Fingers: keyboards, vocals
Simon Crowe: drums, vocals
Garry Roberts: guitar, vocals
Produced by Robert John "Mutt" Lange and Phil Wainman, 1979
The Rats got together in Dublin in 1975 and were the premier Irish force on the scene until their breakup in 1985 when Bob Geldolf was delivering Live Aid.
13. Buddy Wasisname & The Other Fellas: Autumn Waltz
(Trad)
Makin For the Harbour, World Records WRC1-4525. 1985
Gander NL
Ray Johnson: accordion
Kevin Blackmore: mandolin
Wayne Chaulk: guitar
Produced by Buddy Wasisname & The Other Fellers, 1986
Recorded. & mixed by Paul Fogwell & Nick Fleming.
Recorded at J.S.R. Studio & Reflections Lounge, Gander
Not to be confused with Tony Bennett’s 1956 hit song of the same name
If there ever were three true sons of Newfoundland b’y, they gotta be these guys. They called it quits after a successful tour in 2017 after gigging as a trio since 1983, leaving a legacy of 20 albums behind them. One of the most successful bands ever from NL.
Hour Two
1. The Du-Cats: Shindig
(Unknown)
The Du-Cats: RCA PCS 1018
Port-aux-Basques, NL
Lew Skinner: lead guitar
Jim Crewe: rhythm guitar
Bob Battiste: bass
Joe Boulos: drums
Winston Blackmore: vocal
Produced 1965
Recorded in Boston Mass
The Du-Cats were awarded the Stompin’ Tom Award at the 2010 East Coast Music Awards. The group ventured down to the New England States to record in 1965 and turned down a contract with Smash Records in the 1960s. Still, they were one of the first Newfoundland and Labrador rock bands to make records. Lead guitarist Lew Skinner is still active, playing rock in St. John’s, most recently with a band called Generations.
Playing in the States in the mid 1960s The Du-Cats were paired up with Bill Haley. "Bill Haley, he didn't even have a cent when we met him," said Jim Crewe. "He wasn't making any money. He was going to come to Newfoundland and spend a summer with us.
"We were planning to come back and spend July and August back here. At that time, he wasn't getting any work in the U.S., so he said he'd come down here and we'd play the theatres. I remember how old he was at the time - 39, going on 40. We thought - he's old!"
2. R Crumb & The Cheap Suit Serenaders: Alabama Jubilee
(George Cobb / Jack Yellen)
Number Two: Blue Goose Records 2019
NYC
R Crumb: banjo, vocals
Allan Dodge: mandolin, violin, ukulele, vocals
Robert Armstrong: guitar, accordion, banjo, saw, vocals
Terry Zwigoff: cello
Produced by Nick Pearls, 1976
Originally recorded by The Dallas String Band
Robert Dennis Crumb born on August 30, 1943 in Philadelphia PA. Originally known for his Keep on Truckin, Fritz The Cat & Mr Natural cartoons, he also did brilliant album covers for Big Brother and the Holding Company featuring Janus Joplin, The Memphis Jug Band, The Klezmorim and a whole list of double-entendre Hokum Blues compilations released through the 70s and 80s. The Cheap Suit Serenaders put out three great albums. He moved to France 1991 where he’s lived ever since.
3. Karen Oxley & The Jubilee Singers: Johnny With The Bandy Legs
(J Marais)
Singalong Jubilee Vol II: Arc Records 659
Halifax NS
Produced by Manny Pittson - 1965
Recorded by Don Jackson, CBC Halifax
Karen Frances Oxley was born in Halifax, Nova Scotia on 20 May 1946. She joined the Jubilee Singers in 1962 and later became a soloist, chorus leader, and sound consultant on 'Singalong Jubilee' TV show. Oxley's career was cut short by multiple sclerosis and she died in Halifax on 20 October 1992
4. Billy Dinn: The Golden Jubilee
(Trad)
Buttons In The Wind: The Music Takes Me Back – CCPS 2372
Welland ON
Billy Dinn: Vocal, accordion, guitar, piano
Roy Penney: guitar, 5 string banjo
Rusty Walker: steel
Brian Twaites: bass
Cam Kinglin: drums
Milo Crumb: fiddle
Dianne Pimroy Stoetzel: bg vocal
Produced by Roy Penney & Billy Dinn, 1984
Recorded by Vince Nyuli & Kirk Caseley at Rainbow Recording, Niagara Falls ON
Mastered at McClear Place, Toronto
Originally from Fortune Bay, Newfoundland, Dinn came to Ontario to make some money adding to the Newfoundlander Diaspora. Fortunately, you couldn’t take the Newfoundland out of ‘em if you tried. Years later he’s still playing the accordion like this.
5. Chet Atkins: Teen Scene!
(Chet Atkins)
Teen Scene!: Picwick – ACL-7005
Nashville TN
Chet Atkins: guitar
Others not listed
Produced by Anita Kerr, 1963
ReReleased on Pickwick – 1975
Recorded by Bill Porter at RCA 'Nashville Sound' Studios
Chester Burton "Chet" Atkins (June 20, 1924 – June 30, 2001)
Chet was 39 when he recorded this song about The Teen Scene! Who was he hanging around with. His guitar speaks for him.
6. Sandy Nelson: Teen Beat 65
(Sandy Nelson / A Egnolan)
Teen Beat 65: Imperial Records LP-12278
Boulder City, NV
Sandy Nelson: drums
Richard Podolor: guitar
Produced by Nick De Caro, 1965
Sander L. Nelson: Born December 1, 1938 (age 79) Santa Monica CA
I always loved Nelson’s drumming. I’ve got 8 of his many albums; he’s released over 30 in all. He currently lives in Boulder City, Nevada, doing the occasional gig. Not the drummer that he used to be but still has the technique engrained in his hands. A very subtle touch, very easy behind the kit and yet, listen to the sounds that he makes!
7. Myrna Lorrie: Life’s Changing Scenes
(Grashey / Lorrie)
Quality Records - 1432
Cloud Bay ON
Myrna Lorrie: vocals
Produced by Don Grashey, 1955
Recorded in Fort William, ON
Myrna Lorraine Petrunka b. August 6, 1940, Cloud Bay, Ontario
She is known as the First Lady of Canadian Country Music. She began singing on Thunder Bay radio age 11 and by 14 had her own radio show called Harmony Trails. At age 14 she wrote and recorded the song "Are You Mine" with Buddy DeVal, which was released on Abbott Records and reached number 6 on the Billboard Chart. Lorrie was awarded two Juno Awards for best female country singer, in 1970 and 1971. She was Best Female Singer and Entertanier of the Year at the inaugural Big Country Awards in 1977.
She was among the inaugural inductees along with her mentor Hank Snow, into the Canadian Country Music Hall of Fame on November 1, 1989 in Kitchener, Ontario; and the CCMA Hall of Honour on September 9, 1996.
8. The Scene: Scenes (From Another world)
(Neil Sheppard / J Fishman)
45 single: BT Puppy Records Inc: 533
Montreal QC
Truly Noland: guitar
Michael Ship: vocals, keys
Marty Simon: drums
Danny Zimmerman: bass
Produced by Neil Sheppard, 1968
Recorded by Jack Adams & Wally Sheffey, Montreal
Members of this band would go on to play in a pop sensation band from Montreal called ‘Life’ who would release a really good version of ‘Strawberry Fields Forever’ in 1969. That would be the first of several 45s they’d release plus one LP.
9. Eugene Smith And The Warm Up Band: Hoot’nany
(Eugene Smith)
Warmin’ Up: Warm Up Records - WUB 1001
Duncan BC
Eugene Smith: Vocal, guitar, harmonica, kalimba
Ted Grimes: trumpet, piano
John Judge: lead guitar,
Carl Rabinowitz: bass, acoustic guitar
Produced by The Warm Up Band, 1981
Recorded by Brian Mitchell & Bob Boccan at Studio 306, Toronto
Laughs & Donuts: Dave Rose
Eugene Smith b. 1944
Smith came from good stock: His father was Al Lucas, who played stand up bass for such greats as Duke Ellington and James Brown. His mother, Valeire Abbot, was a well-known Toronto jazz pianist and vocalist who was invited by Louis Armstrong to tour as a jazz singer with his orchestra.
Smith was a popular figure on Toronto's R&B scene during the mid to late sixties. In the seventies, he fronted an R&B band called Lucifer. Eugene resides today in Duncan, B.C. and is still active (at the age of 75) on the scene there, doing virtual performances during the Covid-19 pandemic. Also a good story teller, he claims: “I’m playing music and telling stories about my life on the road since the 1940s.” Over the past 4 decades Eugene has shared the stage with such great artists of the music world as Gordon Lightfoot, k.d. Lang, David Clayton Thomas, King Curtis, Willie Dixon, Lenny Breau, Peter Tosh, Bo Diddley, John Lee Hooker, The Beach Boys and The Dave Clark Five. In the wild and wonderful 60’s he played Toronto and toured the United States as a singer with Ronnie Hawkins and the infamous Hawks.
10. Gene Autry: There’s Nothing Like A Good Old Fashion Hoedown
(Gene Autry)
Columbia Historic Edition: Columbia FC 37465
Los Angeles
Gene Autry: guitar, vocals
Oliver Tudo: guitar
Frank Marvin: steel
Walter Jecker: bass
Carl Cotner: fiddle
Spade Cooley: fiddle
Paul Sells: piano/accordion
Produced by Art Satherly, 1940
Compilation produced 1982
Recorded 27 August 1940 CBS Studio (Radio Station KNX), 6121 Hollywood, CA
11. Caravan: Hoedown
(Pye Hastings)
For Girls Who Grow Plump In the Night: London Records – XPS 637
Canterbury UK
Pye Hastings: guitar, vocals
Richard Coughlan: drums
John G. Perry: bass
Dave Sinclair: keyboards
Frank Ricotti: congas
Geoffrey Richardson: guitar, viola, violin
Produced by David Hitchcock, 1973
Recorded at Tolling Park Studios; Chipping Norton Recording Studios; Decca Studios, West Hampstead
The band were originally based in Canterbury, Kent, but moved to London where they were signed to Verve Records. After months of confusion, they were dropped by Verve and signed a better deal with Decca, who released their critically acclaimed album, ‘In the Land of Grey and Pink’, in 1971. Keyboardist Dave Sinclair left the group after the album's release and the group split up the following year after recording this fine album.
12. Eloi LeBlanc: Breakwater Hoedown
(Eloi LeBlanc)
Son Of Arcadian Pioneer: RTP Productions: RTR-EL-001
St Anne, NB
Elmo LeBlanc: fiddle
Denny Mack: bass, guitar, banjo
Alcide Arsenault: piano
Produced by Arcade Richard, 1984
Recorded by Denis & Richard Cormier at Rite
Track Studios, Leonminster, Maine Elmo LeBlanc: Breakwater Hoedown
I collect Canadian fiddle albums. I’ve got hundreds of them! This one has always stood out for me because, unlike a lot of Canadian fiddle albums, this one was recorded properly. LeBlanc was a fine player who had great tone and that comes through on this record. Not a harsh fiddle not on it. A really good example of the Acadian fiddling influence on his playing.
13. It’s A Beautiful Day: Hoedown
(David Laflamme)
Live At The Fillmore West, July 1971: Keyhole Records KH2CD9009
San Francisco CA
Bass: Mitchell Holman
Drums: Val Fuentes
Guitar: Hal Wagenet
Keyboards: Fred Webb
Violin, Vocals: David LaFlamme
Produced 1996
Another band lead by an excellent fiddler, violinist David LaFlamme. Mostly known for his more flamboyant compositions, this one plays up the Hoedown feel that drives square dancers into happy heaven. This was from a live recording, likely a bootleg, that was released a couple of decades after the band stopped performing.
14. Hans Poulsen: Hoedown
(Hans Poulsen)
Lost And Found: Fable – FBSA-014
Melbourne Australia
Bass: Duncan McGuire
Drums: Mark Kennedy
Performer: Hamilton County Bluegrass Band
Piano: Brian Cadd
Sitar: Jim Miskias
Viola, Violin: Nick Lyons
Hans Poulsen: guitar, vocals
Produced by Hans Poulsen, 1972
Recorded at Bill Armstrong Studios, Melbourne by Engineer: Graham Owens, John Sayers
Bruce Gordon Poulsen aka Hans Sven Poulsen b. 7 March 1945 (75) Melbourne, Australia
Australian bushgrass! Poulsen (who was of Danish heritage thus took this Hans Sven stage name) began performing Buddy Holly songs in the early 60s. By 1965 he was leading his own band. He had two Australian pop hits with the songs "Boom Sha La La Lo" and "Light Across the Valley". He experimented with various different types of what would later be called ‘World Music’.
15. Joe Venuti & His Blue 5: Hoedown Lowdown
(Warner)
7 inch EP: Sesac Repertory Recording – AD-14
Philadelphia PA
Bass: Eddie Safranski
Drums: Bunny Shawker
Lead Guitar: George Barnes
Piano: Buddy Weed
Rhythm Guitar: Danny Perri
Violin: Joe Venuti
Produced 1957
Giuseppe "Joe" Venuti b. Sept 16, 1903 Philadelphia, PA / d. Aug 14, 1978 (74) Seattle, WA
16. Jim Magill & His Northern Ramblers: Northern Hoe Down
(J Magill)
Square Dances EP: London Records BEP 6140
Toronto ON
Jim Magill: fiddle
Others not listed
Produced 1952
Jim (James Creighton) Magill b. Northern Ireland 1902 / d. Toronto 28 Jan 1954 (52)
17. Emerson Lake & Palmer: Hoedown
(Aaron Copeland / Carl Palmer / Keith Emerson / Greg Lake)
Trilogy: Cotillion – SD 9903
London UK
Carl Palmer: percussion
Keith Emerson: keys
Greg Lake: bass
Produced by Greg Lake, 1972
Recorded at Advision Studios, London October 1971–January 1972 by Eddy Offord
Mastered by Barry Diament
18. The Shadows: Shindig
(Hank Marvin / Bruce Welch)
45 single bw It’s Been A Blue Day: Columbia (UK) DB 7106
London UK
Hank Marvin: lead guitar
Bruce Welch: guitar
Jet Harris: bass
Tony Meehan: drums
Produced 1963
The Shadows were a British instrumental rock group and a Cliff Richard's backing band, with 69 UK chart singles to their credit. They were all members of various skiffle groups till they merged and got into guitar based surf music in the late 1950s. In those days star performers usually used stage names: Brian Rankin became Hank B. Marvin, Terrence Harris became Jet Harris and Bruce Cripps became Bruce Welch.
19. The Beatles: No Reply
(Lennon / McCartney)
Beatles '65: Capitol Records Canada - T 2228
Liverpool UK
John Lennon: double-tracked lead vocal, acoustic guitar, handclaps
Paul McCartney: harmony vocal, bass guitar, handclaps
George Harrison: acoustic guitar, electric guitar, handclaps
Ringo Starr: drums, handclaps
George Martin: piano
Produced by George Martin, 1964
Recorded by Norman Smith at EMI Studio 2, Abby Road, London
The Beatles recorded the track in London soon after returning from their first full tour of the United States. The lyrics typify Lennon's more introspective and mature songwriting
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